Showdown: Sondre Lerche @ The Larimer Lounge
Disappearing, especially in this day and age, is a particularly difficult task. Even more so if you have hope to do so in a city like New York. But that is what Norwegian pop-smith, Sondre Lerche (pronounced LIAR-KAY) set out to do. Oh, and make a new album to chronicle this endeavor, as well. For...
Showdown: Bright Eyes
Eardrum the new Bright Eyes yet? If the only bright eyes you know are the words to the interpretive dance-worthy pop song, then you haven’t the foggiest what I’m talking about. Bright Eyes is the longtime guise of Omaha-bred songwriter Conor Oberst. Oberst was a bona fide prodigy when he was young, recording with a...
Showdown: Nathaniel Rateliff @ The Fox
Nathaniel Rateliff. Sound familiar? If it doesn’t, where the hell have you been? Seriously. Not only is he currently one of the finest talents afloat, but he is also from Denver and one of our most famous–joining the ranks of DeVotchka and The Fray. His record, In Memory Of Loss, was released last year on...
NocturnOwl: Dubsteppin’ into the Mainstream
In last week's Music Monday blog, I mentioned Rolling Stone's “Dance Takeover†mini-feature. Black-Eyed Peas producer David Guetta kicks off the section and LCD Soundsystem scores the majority of ink, but half of one page is dedicated to “Fresh Beatsâ€, a chart-like breakdown of popular emerging electronica genres or “Clubland's Latest Soundsâ€....
Road Trippin’: Electric Daisy Carnival
Rolling Stone is a rock among print publications. It's also one of the few that I actually subscribe to. Comprehensive music industry coverage and no-holds-barred political reporting is a recipe that regularly sates my IQ appetite. Imagine my surprise when the newest issue arrived--and I found myself inside it.
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