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Orange peel moses

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Rad Radar: Ratatat

Ratatat first appeared on my “rad radar” when they opened a Faint show at The Ogden a few years ago. Opening acts can be hit-or-miss sometimes, but I retrospectively regret arriving late that particular night. The NYC-based instrumental act quickly became a hit with hipsters and even hip hippies via festival bookings including Bonnaroo. Widespread appreciation of the duo was overdue, though, until doing bootleg hip hop remixes on the sly side project tip finally culminated in cutting tracks “Alive” and MGMT co-production “Soundtrack to my Life” with Kanye protege Kid Cudi.
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Stage Advice: Reefer Mania

Pot is hot. Especially in The Mile High. Captain Obvious strikes again. But if you thought pot was hot before, wait til you get a load of weed-themed striptease. Reefer Mania, the self-described “Vaudevillesque Pot Opera” now playing at Five Points' Crossroads Theatre, takes pot's hotness to another level.
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DJ IQ: Denver’s Kostas boasts Global Dance anthem

Kostas Kouremenous has been searching The Mile High City high and low for the perfect set of pipes. Kostas isn't a plumber, though, he's a producer—a DJ and dance music producer, to be exact. Although he's had his fingers in many different Denver pots over the years—a shoe store, a modeling agency and a number of nightclubs now (Amsterdam, Pure, Lotus, DC10, Zen)--partnering with Triad Dragons' Ha Hau on Global Dance Festival at Red Rocks was his single most in-the-black business decision to date.
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Aural Pleasure: Broken Bells

Broken Bells, a collaboration between Shins' singer James Mercer and aural harlot Danger Mouse, breaks its Mile High cherry tonight at The Gothic Theatre. Best known as one half of Gnarls Barkley, DM—born Brian Burton--is easily one of the most sought-after producers in the game. The left field is his field of expertise, though, as evidenced by his track record: Beck, The Black Keys, Gorillaz, Sparklehorse and Beatles/Jay-Z mash-up masterpiece The Grey Album.
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Triple Threat: Lea Luna

Playing with words is in Lea Luna's blood. Little is known about the Denver DJ/songwriter's biological father—she was conceived in a Manhattan sperm bank—except that he was a graduate student in the writing department at Yale. And apparently hard up for cash. Although her mother just recently revealed this, Luna's been putting pen to paper for as long as she can remember.
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Aural Pleasure: The Glitch Mob

The Glitch Mob ain't no one-trick pony. “Glitch hop”, a genre they're often credited with inventing (or at least popularizing), may have put them on the map, but they refuse to churn out cookie cutter, assembly line club bangers. Drink the Sea, their first fully original full-length, is bound to confound expectations. On the one hand, there are certainly distinctive characteristics that make the record recognizably Glitch Mob. On the other, Sea sees them abandoning many of their signature bells and whistles—most notably the stutter edits suggested by their moniker.

Body Language: Festival de Vida @ Guerilla Garden

Each month, we here at 303 accost two strangers on the street for our “303 Style” back pages. You might have noticed April Charmaine on page 72 of May's Music Issue. In her interview, Charmaine mentions she's a choreographer and dance teacher at Sol Vida. Festival de Vida, a student dance recital Sol Vida is curating at Guerilla Garden (3821 Steele), just happens to be happening today.
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Karaoke Showdown: Denver’s Next Nightclub Star @ Lannie’s

Upon recently noticing that a Hawaiian getaway was up for grabs at a Lannie's-hosted karaoke competition, I began plotting my song choices. I've never been to Hawaii, but I loved Forgetting Sarah Marshall to death (and, as we all know, Hollywood's interpretation of a geographic locale is always spot on).
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Body Language: pH7 Pilates

Joseph Pilates never had a sex change. While it remains a popular misconception that Pilates is primarily for women, its inventor was, in fact, a man. Not any mere man either, Pilates was a boxer, a circus performer and a self-defense trainer. He could’ve probably kicked most of our @$$-es if he’d wanted to. Thankfully, his boxing opponents’ @$$-es were the only ones he wanted to kick in the literal sense. His Pilates students? Their @$$-es only got kicked in the anaerobic sense. And so can yours (in a good way). Not by its inventor, mind you (Pilates passed away in 1967), but by any number of his living disciples. Denver’s own Cher Aslor, of Capital Hill’s pH7 Pilates, is among them.
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Fork It: TAG

Troy Guard is a cuisine genius. The gastronomical mind behind some of the Mile High's most cutting-edge eateries (Zengo, now-defunct Nine 75), he's been my taste buds' best buddy since first bite. If I were Troy, I'd hire armed guards to stand watch over my recipe box 24/7. TAG, his current “Continental Social Food” experiment in LoDo's Larimer Square, celebrates its first anniversary today. Word is there's Pop Rocks in one of the entrées. Trust Troy and try it.
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Talking Points: Henry Rollins

Henry Rollins has got more stories than Grandpa Simpson. Not only that, whereas Simpson seems permanently cursed with verbal diarrhea, people all over the planet eagerly part with greenbacks to hear the ex-Black Flag frontman yak. Rollins' Frequent Flyer Tour rolls into The Boulder Theater this Tuesday.
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303’s Master Mix: DJ Mu$a

Mu$a is a master of aural kung fu. Two full decades behind the decks tend to facilitate that kind of skill level. Fittingly, Bruce Lee is one of his biggest influences. Lee once advised “Be like water making its way through cracks”; Mu$a follows Lee's counsel to a tee, perpetually filling the specific needs of each dance-floor he encounters. Versatility enables him to play everything from hip hop to dubstep, but also makes him difficult to pigeonhole.