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National Music

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Rad Radar: Ratatat

Ratatat first appeared on my “rad radar” when they opened a Faint show at The Ogden a few years ago. Opening acts can be hit-or-miss sometimes, but I retrospectively regret arriving late that particular night. The NYC-based instrumental act quickly became a hit with hipsters and even hip hippies via festival bookings including Bonnaroo. Widespread appreciation of the duo was overdue, though, until doing bootleg hip hop remixes on the sly side project tip finally culminated in cutting tracks “Alive” and MGMT co-production “Soundtrack to my Life” with Kanye protege Kid Cudi.
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Aural Pleasure: Broken Bells

Broken Bells, a collaboration between Shins' singer James Mercer and aural harlot Danger Mouse, breaks its Mile High cherry tonight at The Gothic Theatre. Best known as one half of Gnarls Barkley, DM—born Brian Burton--is easily one of the most sought-after producers in the game. The left field is his field of expertise, though, as evidenced by his track record: Beck, The Black Keys, Gorillaz, Sparklehorse and Beatles/Jay-Z mash-up masterpiece The Grey Album.
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Talking Points: Henry Rollins

Henry Rollins has got more stories than Grandpa Simpson. Not only that, whereas Simpson seems permanently cursed with verbal diarrhea, people all over the planet eagerly part with greenbacks to hear the ex-Black Flag frontman yak. Rollins' Frequent Flyer Tour rolls into The Boulder Theater this Tuesday.
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Artist to Watch: Jonsi Birgisson

Hearing Jónsi's "Go" in the privacy of one’s own home, like with any other record featuring Jónsi’s unmistakable voice, simply pales in comparison to hearing the songs from "Go" performed live in a setting like Denver’s palatial Paramount Theatre.
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Hindsight: Beats Antique @ The Boulder Theater

I can't pinpoint the specific moment Beats Antique appeared on my radar, but I can guarantee Bassnectar is to blame. Several years ago, he added his signature whomp to their tune “Roustabout”, then invited them to join his traveling circus for a Left Coast jaunt or two. Burn night with Suze Q was definitely my first time experiencing their “live” act, normally consisting of two producers/DJs--one of which who peppers sets with both violin and sitar-sounding guitar--and a tribal belly dancer named Zoe Jakes.

Aural Pleasure: MGMT

Sure, the psychedelic poptronica of their Oracular Spectacular debut set a new benchmark for 21st century pop music. Its slow-burner success was never calculated, though. In fact, Spectacular's gradual omnipresence could best be described as a happy accident.
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CD Report Card: Black Francis – NonStopErotik

Living up to his Pixies heyday is a perpetual challenge for man of many names Black Francis. Even his most rabid fans are constantly judging new work against classic, time-tested Pixies' platters. That's not to say his post-Pixies output hasn't produced occasional gems. Svn Fngrs, a Cooking Vinyl EP he cooked up in 2008, is an excellent example. NonStopErotik drops today.

Beatport Floorfillers: Bassnectar – Timestretch

If you thought Bassnectar was some sort of ceviche recipe, consider yourself officially out of touch with the underground. Lorin Ashton, long eclipsed by his strikingly accurate moniker, is an extremely versatile DJ, capable of juggling a plethora of genres within a single, continuously-mixed set. His sublime sunrise sets at Burning Man have soundtracked some of the finest, most memorable moments of my entire life.

Aural Pleasure: Kraddy

Glitch Mob, a collective of California producers he has since parted ways with, was largely responsible for the popularization of a cutting-edge hybrid of electronica and hip hop called “glitch hop”. Glitch refers to the producers’ propensity for intentional glitches or “stutter edits”.