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Denver Music

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Hindsight: Underground Music Showcase

If the festival's attendance figures are correct, The Post's Underground Music Showcase is indeed on pace to become Denver's version of South by Southwest--an event it eagerly compares itself to. SXSW, gearing up for its twenty-fifth year, pulls approximately 15,000 heads to Austin, Texas. The UMS, which just closed the books on its first full decade, is already approaching 5,000. No small feat at all. The scene on South Broadway yesterday—especially last night--definitely reminded me a little of SXSW's main artery in Austin--Sixth Street.
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Festival Window: Savoy

Aurally, Boulder-based Savoy could pass for an adept electro DJ deftly blending others' cuts together. The truth? Savoy is erecting all their bangers from scratch—barring a few borrowed samples—and discharging them live via three-piece PA. It's a savvy formula that's caught on like the brush fire that destroyed a portion of my southeast plains hometown. Destruction is definitely an ingredient in Savoy's live recipe, where decimating decibels keep attendees in a perpetually perspiring frenzy.
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Pitchin’ a Tent: Horizons

Partying under the stars is a quintessential summer activity. From large-scale massives such as Burning Man to intimate affairs like Mother Earth Sound System's Full Moon Gatherings, some of my best memories ever are made on outdoor dance floors. Paradigm Pro Audio's Alexander Brooks can relate. Ever since Moontribe took his dance music campout virginity, Brooks has fantasized about making a venue out of Mother Nature. Horizons, an indoor/outdoor event this weekend near Peoria, will do exactly that. Key scene players who've agreed to get their hands dirty too include DJs mLe, Ishe, Jantsen, Alert, Miraja, Schmid-E, Scott Everett and Trip Coffin, among others. Brooks even got to book two of his idols; desert party legends Brad and Treavor of Moontribe are set to headline. Paradigm and its Turbosound rig have spent years helping fellow promoters realize their own party dreams. Triad Dragons, Sub.mission, Euphonic Conceptions and Floorbangrs have all benefitted immensely from Paradigm's aural support. The time has come for reciprocation.

Road Trippin’: Electric Daisy Carnival

Rolling Stone is a rock among print publications. It's also one of the few that I actually subscribe to. Comprehensive music industry coverage and no-holds-barred political reporting is a recipe that regularly sates my IQ appetite. Imagine my surprise when the newest issue arrived--and I found myself inside it.
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Fam Damily: Sperm Donors

My dad is rad. Sure, he accepted a job transfer that significantly minimized his role in my adolescence, but he left behind vintage Playboys and a comic book called "Where Did I Come From?" Also, he's been so much more than a mere sperm donor since. Allow me to stroke his ego for a few.
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Band Freqs: March Fourth

March Fourth Marching Band is a guaranteed blast. March Fourth—M4 for short--is the Boba Fett and The Americans of Portland. Actually, more accurately, Boba Fett is the M4 of Denver, as they long preceded the bounty hunter-clad drum major and his guerrilla marching band brainchild. Anyone who's witnessed Boba and company in action will understand what exactly I'm talking about. Last July, Boba and company descended on an already lively Double Daughters anniversary soiree I was hosting, instantly transforming it into a full-on raucous ruckus.
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DJ IQ: Denver’s Kostas boasts Global Dance anthem

Kostas Kouremenous has been searching The Mile High City high and low for the perfect set of pipes. Kostas isn't a plumber, though, he's a producer—a DJ and dance music producer, to be exact. Although he's had his fingers in many different Denver pots over the years—a shoe store, a modeling agency and a number of nightclubs now (Amsterdam, Pure, Lotus, DC10, Zen)--partnering with Triad Dragons' Ha Hau on Global Dance Festival at Red Rocks was his single most in-the-black business decision to date.
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Triple Threat: Lea Luna

Playing with words is in Lea Luna's blood. Little is known about the Denver DJ/songwriter's biological father—she was conceived in a Manhattan sperm bank—except that he was a graduate student in the writing department at Yale. And apparently hard up for cash. Although her mother just recently revealed this, Luna's been putting pen to paper for as long as she can remember.
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Aural Pleasure: The Glitch Mob

The Glitch Mob ain't no one-trick pony. “Glitch hop”, a genre they're often credited with inventing (or at least popularizing), may have put them on the map, but they refuse to churn out cookie cutter, assembly line club bangers. Drink the Sea, their first fully original full-length, is bound to confound expectations. On the one hand, there are certainly distinctive characteristics that make the record recognizably Glitch Mob. On the other, Sea sees them abandoning many of their signature bells and whistles—most notably the stutter edits suggested by their moniker.