
For fans of the latter, enter Mark Petrie.
A decadent stratification of everything from a strings section to the mating call of the horn and brass sections to the warm buzz of synth pads and feedback, Petrie’s work is pregnant with colorful and sometimes dramatic emotion.
“Kotahitanga Haka,” bellows ominously in its first breaths with male chanting setting up what would unfold onscreen as a final battle between the hero and his antagonist. A more hopeful song, “The Legend Lives On,” soars in the ascending swell of strings and swirl of overlapping cymbals–this is the end of the race track pulling you, guiding you, encouraging you to press on to the finish line.
the vicarious auditory escape for those with headphones

In the case of Mark Petrie, the vicarious auditory escape for those with headphones are the adventures of Green Lantern or The Hobbit or any superhero of their choice: more than 60 shows have featured Petrie’s work and yet, it stands alone in its quality and silver screen experience–without said screen.
Mark Petrie is found online at Soundcloud, Facebook and his official website.
[soundcloud url=”http://api.soundcloud.com/tracks/46663657″ params=”” width=” 100%” height=”105″ iframe=”true” /]“Kotahitanga Haka”
[soundcloud url=”http://api.soundcloud.com/tracks/44149360″ params=”” width=” 100%” height=”105″ iframe=”true” /]“Misty”
Sal Christ is a writer with headphones glued to her ears. Getting some hang time upside down daily is of the utmost importance, as is an obsession with the PCH. For more music action, follow her on Twitter or email her.