The Drop: I Killed The Prom Queen Are “Beloved”

Beloved_IKTPQI KILLED THE PROM QUEEN

BELOVED

Metal/Hardcore
Rating: 4.5/5
Release Date: February 18th, 2014

With a band name like I Killed The Prom Queen, one should all but expect an unrelenting, almost barbaric breed of music, but even those types of pre-concieved expectations can’t touch the aural assault that is Beloved.

I Killed The Prom Queen, hailing from Adelaide, AUS, have made quite the name for themselves with their devastating penchant for groundbreaking guitar chugs intertwined with an affinity for lucid melodies. After a hugely popular previous release back in 2006, Music For The Recently Deceased, I Killed The Prom Queen re-affirm their decision to move forward with a mixture of clean vocal melodies and ravenous growls, combining guitarist/clean vocalist Jona Weinhofen’s tender approach with newcomer Jamie Hope’s cathartic clamor (“Bright Enough”). It’s almost as if, within the various songs that use this dual approach, I Killed The Prom Queen utilize this fragile, susceptibility to their advantage, luring in their prey before striking in bone-crushing fashion. But, they also use this approach more sparingly this time around, resulting in a much heavier, much more savage release.

Jona Weinhofen’s previous stint with Metal/Hardcore kings turned Alt-Rock/Hardcore innovators, Bring Me The Horizon, rubbed off on him in the best way possible. Not only is this release full of its grinding fury and chaos (“To The Wolves”), but bits and pieces of serene absolution — a subtle reprieve of sorts from all things cataclysm —can be found hiding amongst the mayhem (“Kjaerlighet”). And honestly, some of the most achieved works on the record can be found in those short glimpses.

But, the real breadwinner here happens to be the lead single, “Thirty One & Sevens.” The newly cultivated ethereal, seraphic-like presence that I Killed The Prom Queen have brought to the table is absolutely splendid, but their true sound remains at the heart of what the band has been about since day one … Bringing the noise.

“Nothing Can Last Forever / Nothing Can Last Forever,” Jamie Hope screams on repeat, poetically attesting to the pains of heartbreak. I Killed The Prom Queen unleash a dual threat of vocally tantalizing clean-sung choruses with a combination of forbiddingly menacing verses on the most dominant track of their return. “Thirty One & Sevens” isn’t messing around.

Beloved is the type of record that countless amounts of artists and bands alike, only hope to return to form with after a falling off or a considerable hiatus. And it just so happens that the Adelaide wrecking crew I Killed The Prom Queen not only return to form with Beloved, but they’ve set the bar extremely high for the next 10 months of the year.

Check out I Killed The Prom Queen’s music video for “Thirty One & Sevens” below:

 

Written by Samuel Lang of 303 Magazine.

Photo and video courtesy of I Killed The Prom Queen and Epitaph Records.

Related Posts

Aural Pleasure: Sydney Blu

Blu has come a long way in her day, gradually surpassing many of her female peers in both the production and performance departments. Inking a deal with Deadmau5 vanity imprint Mau5trap certainly didn't hurt, but Sydney has since launched her own label--Blu Music--and continued to perform well on Beatport.com's virtual stage sans Deadmau5 hand-holding in the studio.

Aural Pleasure: Matt Morris

Immediately following his SNL cherry-popping featuring instant holiday classic “Dick in a Box”, Justin Timberlake was feeling cocky. Pun intended. In the middle of dinner at a Middle Eastern joint in NYC, JT shared plans to launch his own label with longtime pal Matt Morris. That's not all. JT wanted Morris's Hancock on a recording contract.

Aural Pleasure: Ana Sia

DJs that don't dance to their own music should be suspect IMO. It's the same “Do as I say, not as I do,” attitude that smoking parents often wield. Talk about setting a pathetic example. Ana will never have that problem. She was a dancer long before being a dance-floor choreographer, and has never been shy about multi-tasking.

Aural Pleasure: Eprom

Eprom, shorthand for erasable programmable read-only memory, is the moniker of Bay Area-based Sander Dennis, slated to slay Owsley's Golden Road (2151 Lawrence) this Friday, January 22. Picture Super Mario getting his freak on, a la Missy Elliot, and you'll have an inkling of what to expect from his set.

Discover more from 303 Magazine

Subscribe now to keep reading and get access to the full archive.

Continue reading